Hey Photographers! Here are 20 different presets. You can check them out here.
#lightroom #lightroompresets #photograpghers
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I think this artist does a great job showing you how to begin drawing. Even if you already draw these videos are huge to watch.
Pencil Drawing Made Easy There are many color models but the main two most designers use are CMYK and RGB color models.
CMYK color modelThe CMYK color model, which is used in printing, uses the components cyan (C), magenta (M), yellow (Y), and black (K) to define color. Values for these components range from 0 to 100 and represent percentages. In subtractive color models, such as CMYK, color (that is, ink) is added to a surface, such as white paper. The color then “subtracts” brightness from the surface. When the value of each color component (C,M,Y) is 100, the resulting color is black. When the value of each component is 0, no color is added to the surface, so the surface itself is revealed — in this case, the white paper. Black (K) is included in the color model for printing purposes because black ink is more neutral and darker than blending equal amounts of cyan, magenta, and yellow. Black ink produces sharper results, especially for printed text. In addition, black ink is usually less expensive than using colored ink. RGB color model The RGB color model uses the components red (R), green (G), and blue (B) to define the amounts of red, green, and blue light in a given color. In a 24-bit image, each component is expressed as a number from 0 to 255. In an image with a higher bit rate, such as a 48-bit image, the value range is greater. The combination of these components defines a single color. In additive color models, such as RGB, color is produced from transmitted light. RGB is therefore used on monitors, where red, blue, and green lights are blended in various ways to reproduce a wide range of colors. When red, blue, and green lights are combined at their maximum intensities, the eye perceives the resulting color as white. In theory, the colors are still red, green, and blue, but the pixels on a monitor are too close together for the eye to differentiate the three colors. When the value of each component is 0, which signifies an absence of light, the eye perceives the color as black. Ever wonder how the words get onto the pages of your favorite comic book? Well, it used to be some dude sitting at a drafting table hand writing everything into their own balloons, but nowadays it’s all done using Adobe Illustrator.
The comic book industry has traditionally done things in a very linear order, with the letterer being the last person in the chain to get to work. When they start, the page has been penciled, inked, and usually colored, and all that has to be done is for the letterer to add the word balloons and the text from the script that the writer provides. They’re then given a PDF to work with, make the balloons in Illustrator, fill them in using fancy fonts (like the ones Comicraft sells right here on Creative Market), and send it back for final proofing. Now you won’t break into Marvel or DC right off the bat, but there are lots of comic book hopefuls out there that need their comics lettered, and a quick search or two on Facebook will find them for you. Who knows, it could turn into something fun down the line, too! Taken from the Smithsonian Magazine.
https://www.smithsonianmag.com/history/biggest-license-plate-fails-us-history-180981025/ Free download of multiple colored and different sized vector buttons for all your digital needs. Click on the link below. Enjoy! #freevectorbuttons #graphicdesign #socialmedia ![]()
I've been a graphic designer for more years than I actually want to say out loud. I've been looking around recently and I don't see many "older" designers? I hope I'm wrong about this. Is being a graphic designer a young person's profession? Keeping up with the ever-changing technology of design is very challenging and it seems like every employer expects a graphic designer to be an expert on the latest and greatest software. I remember when Flash was the rage to learn. I took a few classes but in the end, it took me away from illustrating and designing. I did this with HTML coding as well. These things took me away from what I do best, creating creative content.
I'm straying from my original question; do all graphic designers end up taking a "people-managing" position like a creative director or producer? Is it a "burn-out" position? Unlike other professions, we as designers are continually applying our skills to new marketing and branding avenues. I for one dabble in photography and video, applying these photographic images into many of my collages. I bought a high-end video camera and now sell stock video on Pond5. Again, I ponder the original question; is graphic design a lifetime position? Even after this many years I have to prove myself to my newest employer or client. Although print skills are still in demand, digital advertising exploded even more than it was because of the pandemic. The new "trendy" software is Figma and Sketchup. And lately the agencies are moving away from Powerpoint to the more collaborative online apps such as Google Slides. Is being creative even something valued any more? Or is it the software skills are valued? How do you learn Figma without jumping into a collaborative project? Again, does this continued change in graphic technology exhaust or excite graphic designers? I will ask the designers reading this; are you an older graphic designer who still enjoys the hands-on creative process? 1. Working From Home And Its Challenges
While a significant majority of graphic designers from around the world were already working from home as freelancers, there are those for whom this was an entirely new thing. Finding a place in your home where can you work diversion-free, investing in a stable internet connection, and then finding the discipline to actually work from home – it has been a struggle for many. I for one always thought I could do everything I do in a office at home. 2. Reinventing And ReimaginingThis global pandemic has also been a time to rediscover and re-imagine. How can we do things differently? What we’ve been doing so far that can be improved? What new skills can we invest in and how can we reinvent ourselves? Collectively as well as personally, these questions have been on everybody’s mind. 3. Designing For Hope And Support Graphic design has had a rich history of proactive contributions to global efforts of education, health, training, the spread of information, and community outreach. In times of global health pandemic, graphic design has especially outshone itself every time. From the Indian cholera symptoms of 1831 printed on to a broadsheet to the iconic Aids campaign of the late 20th century, graphic design has always helped create artwork that dispels misinformation, educates the masses, and communicates in a way that makes the consumption of information easy and effective. For the current pandemic too, artists world-over have come together and designed artworks that educate, inform, and teach. From hand-washing to social distancing, and from teaching about the Covid-19 symptoms to humorously describe how people are handling quarantines, designers are doing their bit to send messages of help and support. 4. Graphic Design For Gaming Is At A Rise While video games have always been popular, Covid-19 crisis has opened up new vistas for the growth and evolution of graphic design in the gaming industry. How? Well, it has to do with a whole lot of people turning towards gaming to ‘let the steam out’, reconnect with friends that they aren’t able to hang out with anymore, and in some ways be even more socially present for each other. Children, as well as adults, have admitted to using video games as a part of their regular quarantine routine. 5. Behavior Changes Through Design Another major change that we have witnessed during this lockdown in terms of how graphic design is responding to it has been its creative investment in behavior change efforts through design. From teaching people new ways to say hello without shaking hands or hugging to illustrating how to ‘flatten the curve’, these designs have it all. 6. Lack Of Collaboration & Human Interaction (Huge!) Creativity is about connectedness. We feel inspired by the people around us, the environment around us, or the stories or times that we’ve lived, listened to, or experienced any other way. This connectedness is fundamentally social. We require human interaction in order to be able to design pieces that will have relevance and that will resonate with others. In a time like this, human interaction has been put on hold. This lack of collaboration has forced designers worldwide to find inspiration anywhere else. For design studios and freelancers who have been able to stay afloat in these tiring financial times, inspiration has been able to come somewhat easily. Being in touch with colleagues, having virtual platforms to be able to get client feedback, and Zoom meetings where a lot of collaboration can take place, have all meant that their creativity may continue, albeit at a slower pace. 7. Virtual Reality May Become The New Work-Normal Another way that the change is coming for graphic designers in the near future is in the form of VR programs that’ll replace any instances when we aren’t able to meet with colleagues, clients, and vendors for our design project. As a graphic designer, if you have worked closely with Virtual Reality, this change may not be that challenging. But for others, who have had little to no experience with VR, you may be in for a ride. If you are a designer who runs their own studio or work in a large agency, the finances of investing in the new technology may be bearable. For small- to medium-level designers who do not have flexible budgets, they’ll have a harder time competing with rivals who can invest in this technology and acquire clients who may want VR/AR capabilities for their business partners. 8. Focus On Mental Health & Wellbeing The government imposed self-isolation, social distancing rules, and having to remain cooped up inside for months on end, has taken a toll on everyone’s mental health. For graphic designers and other creative professionals, this has been a particularly difficult time. Not having colleagues around with whom you can bounce off ideas, lack of inspiration due to a stagnant lifestyle, and a continued imposter-syndrome that many artists – new and experienced – deal with anyway, has not been easy. Therefore, this time has forced a lot of designers to focus on mental health regimens to make this time easier. Graphic designers have come together to create posters, designs, and infographics to talk about mental health and how to stay positive in these uncertain times. 9. Economic Meltdown And Its Effects On Design Careers Coronavirus has already cost the US 20.5 million jobs as of April 2020. World over, every four out of five jobs have been hit by the pandemic. The graphic design industry is dependent on other industries to flourish. With so many of its potential client markets – restaurants, retail stores, and travel & leisure, etc. – so severely hit by the pandemic, it is no surprise that designers are also feeling the brunt of the circumstances. The situation could not have been easier for those who were just about to start their careers in design. The pandemic certainly has changed my design career path. What about you? The Internet requires more and more video content. More and more companies are using Stock Market for their videos. And in the age of great smartphones and accessible cameras, now is a great time to generate extra income by shooting what makes you happy and get into the stock market game.
The Internet requires more and more video content. More and more companies are using Stock Market for their videos. And in the age of great smartphones and accessible cameras, now is a great time to generate extra income by shooting what makes you happy and get into the stock market game. When you first start uploading your clips to web services, you won’t earn much. But whatever you make will still be a nice incentive to continue doing it. For starters, you can make your entire portfolio in your spare time and therefore make money. As you go about it more methodically, so will your earnings increase. But now you may be wondering if it’s not too late to start recording and selling your videos. it’s never too late! It’s still a great time to find an interesting niche, start recording, build your portfolio and make money doing what you love doing anyway. Not to mention technology is on your side. You can start recording with your smartphone and invest in a gimbal that will stabilize your video as you move. Cameras and lenses are getting better and cheaper. While cameras used to require selling all your earthly possessions and sacrifice your firstborn to the devil, with cameras without lenses and accessories alone costing more than $25,000, today there is an extremely large range of cheap (but high-quality built) cameras starting at $1500. In order to have excellent recording equipment (at least for stock footage), you would have to spend between $3,000 and $6,000, which is still not too expensive if you feel like you will continue doing it for years. For anyone who wants to make money! Here are three great reasons to start right now (if you haven’t already): 1. RECORD CLIPS IN YOUR SPARE TIME It doesn’t matter if you are a professional or an amateur and what gear you have. You can start by shooting on your smart phone! What’s important is to make quality recordings and make money with them. 2. DATA MINE YOUR HARD DRIVE FOR OLD VIDEOS AND FOOTAGE If you have been using your camera for some time and have been shooting various shots, then you have money sitting in your computer’s hard drive. Why not make money with it by selling your unused clips to online stock footage websites? 3. GET THAT SWEET PASSIVE INCOME Your clips will sell no matter where you are, even while you sleep. And do we not just love some sweet passive income? What Should I shoot? What’s most important is that you find your niche. At start what matters most is that you shoot as often as you can. After you get a feel of shooting, you can start experimenting what footage makes you happy and then experiment what sells best inside your niche. Maybe you live in a beautiful place and have beautiful sunsets every evening or Aurora Borealis every night. Perhaps one of your friends is a rising Hollywood star and loves to be filmed. Maybe you work on a farm, or working with wood, etc. Even your profession can be a great niche from which to make good money. Record, upload and test what content works. Image resources
Nothing is more eye-catching and attention-grabbing than a great visual. From stock images to icons to vector graphics, images bring texture, action, and energy to any design. If you’re looking for gorgeous visuals, take a look at these resources. Unsplash Head to Unsplash for creative and beautiful stock photography shot and selected by a collective of photographers. Download, modify and distribute the photos for free. Pexels The aim of Pexels is to provide high-quality photos and videos for free in order to promote better designs for all. Their treasure trove of incredible imagery is endless. Offset Royalty-free but paid images created by artists and used by the likes of magazines and large corporations. You can find anything from food photography to scenic landscapes. Resources for illustrations Drawkit Get print- and digital-ready illustrations for your next project. Drawkit offers a collection of free, paid and customizable vector illustrations, ideal for adapting and adding to any design. Humaaans This is a unique tool created by Pablo Stanley that allows you to customize illustrations of humans in various contexts. Vexels High-quality vector graphics come in all shorts of shapes, sizes and styles. Looking for that perfect minimalist masterpiece? Vexel’s got it. Or how about something super complex? They’ve got it. Looking for a 100% custom piece? Well, Vexels has that too. The Noun Project Check out this rich resource of icons sourced from all over the world, built with the aim of creating a visual language for everyone. Icons from The Noun Project are always royalty-free, but require attribution unless you sign up for a paid NounPro account. I actually am a contributor to the Noun Project. I probably have over 500+ icons and emojis for sale here. Flaticon The Flaticon platform has 2 million icons and counting—all for free with required attribution. |
Ian Ransley DESIGNIan Ransley is a Bay Area Digital Artist, Graphic Designer and Illustrator who has designed some of the most popular large-scale sporting and corporate events in the world. Archives
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